Magister Perotinus

The Renaissance of Medieval Music

Friday, January 22, 2010

How To Worship

Penned by John Richard Ahern
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      • How To Worship
      • Oscar Peterson's Easter Suite
      • Olivier Messiaen
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Favorite Posts

  • Classical Music Is Dead
  • The Monody Argument
  • The Musically Gifted
  • The Musically Gifted, Part II: How About Classical Education
  • How Not to Argue about Church Music
  • Liturgical Schizophrenia

Labels

Classical Music musical education culture Church music Classical Music Is Dead J. S. Bach atonality High music Arnold Schoenberg Counterpoint Medieval aesthetics dissonance liturgy traditional and contemporary Classical Education Folk music polyphony Olivier Messiaen emotions monody musical talent Live performance Nietzsche Wagner ars mimesis paideia primacy of harmony vs. primary of melody Church year ars gratia artis quadrivium symbolism the monody argument Arvo Pärt Christoph Wolff Michael Praetorius language lyrics vs. music mood modality pageantry C. S. Lewis Josquin Plato Suzuki opera polychorality tintinnabuli Burgundian school Cagey music Callimachus Goudimel Novis Ordo Oscar Peterson's Easter Suite Perotin Protestant worship Trent Tridentine Mass Trinitarian music architecture carols criticism jazz leisure technology the goudimel theory

Reading List

  • The Reinvention of the Religious, Sander van Maas
  • Who Needs Classical Music, Julian Johnson
  • Style and Idea, Arnold Schoenberg
  • Gradus Ad Parnassum, Johann Joseph Fux
  • Johann Sebastian Bach: The Learned Musician, Christoph Wolff

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About Me

John Richard Ahern
Like a Voldemort of music, I've wandered into dark, forbidden areas of music and turned out very wild.
View my complete profile

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