Tuesday, November 23, 2010
More Monody Argument
"The 'new music' immediately found imitators all over Italy and soon spread to other countries. The older contrapuntal art of the seventeenth century did not, of course, disappear; but the first half of the seventeenth century witnessed a gradual modification of the language of music owing to the interaction of the new monodic idea with the older contrapuntal principles, and the efforts of composers to find a means of reconciling the two. ...The integration of monody with the traditional practices of music and the earliest adaptation of the resultant new style to opera were achieved during the first half of the seventeenth century." A Short History of Opera, "The Immediate Forerunners of Opera", pg. 38-39.